Premium quality colours – authentic and true to life 


Following this motto we offer individuals who apply colours in their lives unique possibilities for expression. The quality of our products is on a reliably high level. Our colours are conceived to radiate brightly even years after they have been applied, and working with them is meant to be a pleasure at all times.


Therefore our colour assortments and painting aides have remained unchanged for such a long time. We wish to supply our customers with the same product over many years. This is essential for artists, colour designers, art therapists and all others who apply colour in their daily aesthetic practice.


Careful craftmanship, observance and strict quality controls ensure that every product leaving our premises will satisfy the highest demands. Lascaux colours and painting aides are ageless premium products that meet the highest artistic and ecological criteria, and as such are by definition sustainable.


International trademarks owned by Lascaux are: Sirius®, Resonance®, Aquacryl™, Jun Funori®, Lascaux the spirit of colours®, The spirit of colours
in the body of architecture®

Steinenstrasse Mural Lucerne
Lucerne-based artist Werner Vogel used Lascaux Studio for his mural in 1978. This remarkable work of street art was renovated in 2017.
Alhambra Theatre Geneva
Employing Lascaux Studio Bronze artist Carmen Perrin created her colour gradient from gold to silver to black in the Alhambra Theatre in Geneva.
SBB Headquarters
In the atrium of the new Swiss Federal Railway headquarters near Berne, Lascaux Crystal entices astounding interactions between colours.

For humanity – in harmony with the environment


Since its foundation Lascaux has promoted water-soluble systems. The high quality of the Swiss water and the fact that it is additionally energised by Lascaux is an important precondition for the standard of our products. Lascaux colours are produced without additive solvents, and they are qualified as poison-free. Only the sturdiest raw materials and finest pigments are used. They are precisely adjusted for every individual composition. Practically every Lascaux product is refined on the triple roll mill after the blending procedure.

We clean our tools and machines exclusively with water without chemical ingredients. This water is not emitted into the environment before it has been processed by our inhouse purification plant. At the end of an elaborate production process and after meticulous final controls, colours and painting aides are filled  into the original Lascaux bottles and delivered all over the world.


Lascaux complies with the sustainability charter of CEPE, the European Council of the paint, printing ink and artists' colours industry.

CEPE Sustainability Charter (pdf)

Scherr School Zurich
Using Lascaux Sirius primary colours, artist Peter Roesch's powerful colour design creates a lively atmosphere in this public school in Zurich.
Tay Road Bridge Dundee
Using Lascaux Studio colours Scottish artists Fraser Gray and Martin McGuiness realised their amorphic painting for the occasion of the 50th anniversary of the Tay Road Bridge.
Privathaus in Jenins
Colour concept based on the bio-activated Lascaux Resonance Interior Paint that helps balance the room's atmosphere, creating a harmonising effect.

In the language of colour – from generation to generation 


The minute you step onto the Lascaux premises, you immediately sense the artistic orientation, shaped by the company’s owner Barbara Diethelm. As a painter herself she speaks the language of artists, and their requirements are hers, too. And as a manufacturer of artist’s colours she is in constant dialogue with colour, its material structure as well as its formative dimensions.


The name Lascaux is evocative of a pioneering spirit: the founder of Lascaux, Alois K. Diethelms, developed the first artist acrylic colours on the European continent. The pioneering spirit continues to live through Barbara Diethelm and thrives in the unique product ranges like the Sirius Primary system and the Resoance colour range.

 

Together with her husband Werner Schmidt, Barbara Diethelm established the „Fondation Lascaux“ for the purpose of encouraging research into the impact of colours. The Foundation has set itself the goal of organising seminars and events aimed at examining the significance of colours on the way in which mind and spirit develop, and on human consciousness.

World's largest children's drawing
Myriads of little holiday guests in Braunwald painted a picture measuring 222 metres using Lascaux Studio.
The Zurich Project
The great murals form the series 'Curves and Loops' painted by Sol LeWitt were created in 2004 at Haus Konstruktiv using Lascaux Artist colour.
KKL Lucerne
For Jean Nouvel, Lascaux Studio was modified in order to achieve the optical effect of changing velvet in the interior of the KKL.
Rems-Murr Clinic
Using Lascaux Artist, Burghard Müller-Dannhausen created the "Wall of Colour" that supports orientation within the building of the Rems-Murr clinic.
"Tête de femme" by Picasso
The Centre Pompidou chose Lascaux Studio to create this 12 meter high sculpture in Flaine (Haute Savoye) in 2004, an enlargement of Picasso's model from 1957.
Colour Visions
Employing Lascaux Studio on aluminium artist Marisa Ferreira realised her colour concept in the entry area of Norwegian drilling platform Ekofisk 2.
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